Dread At The Controls
Michael Campbell, better known as Mikey Dread, is a Jamaican singer, producer, and broadcaster. He was born in 1954 in Port Antonio, Jamaica, West Indies.
Mikey Dread displayed a natural talent for engineering and electronics. After he finished college, Campbell started out as an engineer with the Jamaica Broadcasting Corporation (JBC). Campbell wasn’t impressed that the JBC’s playlists mainly consisted of bland, foreign pop music at a time when some of the best reggae ever was being recorded throughout Jamaica. He convinced his JBC bosses to give him his own radio program called Dread At The Controls, where he played nothing but reggae.
Before long, Campbell (now using the DJ name Mikey Dread) had the most popular program on the JBC. Well-known for its fun and adventurous sonic style, Dread At The Controls became a hit all over Jamaica. Inevitably, JBC’s conservative management (the suits) and Campbell clashed, and he quit in protest.
By that time, Campbell had earned a solid reputation as a singer and producer and began recording his own material. Distinctive albums such as Dread At The Controls, Evolutionary Rockers, and World War III all became favorites amongst reggae fans. His collaboration with producers King Tubby and Carlton Patterson stand out as some of the best work each party has done. Campbell’s music attracted the attention of British punk rockers The Clash, who invited him over to England to produce some of their music.
Although initially suspicious of the strangers, Campbell soon became the best of friends with the band, producing their famous Bankrobber single and performing on several songs on their 1980 album Sandinista!. Campbell also toured with The Clash across Britain, Europe, and the US, gaining many new fans along the way.
After many years working as a producer and singer, Campbell withdrew from the business and moved to Miami where he furthered his college education with courses in electronics and business. Disgusted with several unfair contracts with record companies, Campbell shrewdly waited until all of the existing contracts expired and then regained control over his entire catalogue. Since then, he has been re-releasing much of it on his own Dread At The Controls record label until his death in 2008.
