Reflections have a way of challenging certainty. In this architectural composition, suspended mirrored spheres transform the familiar into something quietly mysterious. The surfaces faithfully record their surroundings, yet the reflections refuse to align with what the eye expects. Perspective bends, space compresses, and reality appears to fold in on itself.…
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Night has a way of revealing a world that remains hidden in daylight. In the beam of their flashlights, two men search the branches overhead, scanning for the telltale glint of tree frog eyes. Whether driven by tradition, curiosity, or the thrill of the hunt, they move quietly through the…
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I’m genuinely excited about this project. In many ways, I’ve chosen one of the most demanding combinations available today: a fully mechanical Leica M6 paired with an ultra-fine-grain, ISO 50 black-and-white film. It’s about as far from the “spray and pray” digital workflow as photography can get. What strikes me…
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A few months with a manual rangefinder camera has made the differences between “taking a photograph” and “making a photograph” quite clear. The thought process is more involved, pre-visualization is required, knowledge of photography comes into play and modern DSLR habits come to the front. I have identified something that…
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There’s an interesting idea at the heart of this observation, but it should probably be framed a little differently. To be clear, I don’t think autofocus, autoexposure, subject recognition, and the presence of computational photography have made people less capable of being good photographers. What the modern camera has done…
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One of the reasons the Leica M6 has become almost mythical is that people often describe it as if it has a personality. That may sound strange for a purely mechanical camera, but personality in a camera doesn’t come from electronics—it comes from how it influences your behavior. The M6…
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He meets the camera like a man meets weather—steady, worn, still standing. They sing about It’s Five O’Clock Somewhere,where the day lets go easy.But not here. It’s Not Five O’Clock Here ©2026 Eric Wells Hatheway Leica M11-P & Leica Summilux M 50mm f/1.4 Here, the hours stack.His hands carry the…
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“f/8 and be there” — the old photographer’s mantra. I paraphrased this expression into the title of today’s post – f/8 and don’t be late” – but the spirit is the same. And, it sounds better with a rhyme don’t you agree? This saying is commonly associated with Arthur Fellig,…
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There is a peculiar moment in photography when technique begins to masquerade as doctrine. One hears it often, spoken casually but with quiet authority: don’t shoot at f/16. The reasoning is not without merit—diffraction, that subtle optical phenomenon, begins to soften the image as the aperture narrows. Lens tests confirm…
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The Artist