2026

In Defense Of f/16

There is a peculiar moment in photography when technique begins to masquerade as doctrine. One hears it often, spoken casually but with quiet authority: don’t shoot at f/16. The reasoning is not without merit—diffraction, that subtle optical phenomenon, begins to soften the image as the aperture narrows. Lens tests confirm…

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Double Diamond Five

An ordered field asserts itself immediately—gridded, measured, rational. It establishes a ground of authority, a silent claim that structure precedes expression. Across this disciplined surface, vectors cut with urgency: black arcs, red diagonals, intersecting trajectories that refuse stasis. The composition feels less composed than enacted, as if forces have been…

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